The seeds of the ARCs we planted for Philip Jose Farmer and Win Scott Eckert’s The Evil in Pemberley House are starting to bear fruit, as snippets from these three internet reviews prove:
“Between them Farmer and Eckert have served up a most satisfying coda to the “Wold Newton” cycle. Familiarity with those works is not a pre-requiste to enjoying ‘Pemberley House,’ of course, as it works just as well as a stand-alone novel in the gothic tradition.” (Bard of the Lesser Boulevards)
“The colorful cast of characters includes the dowager Duchess and her very personal physician multiple servants with mysterious pasts and those hangers on who gravitate into the lives of wealthy people when there are no relatives to prevent it. There are also the usual bedroom-farce antics and cases of mistaken identity that abound in romantic novels.” (Speculations in Bronze)
“The answer to both questions is a resounding yes. Like many of Farmer’s works it can be read on many levels, a sexually charged gothic thriller, a psychological mystery, a sherlockian/pulp pastiche and yes, as a novel that fits into his Wold Newton Family mythos. Farmer’s skill was always to adeptly take many disparate elements, do some literary alchemy and decant gold from the mixture. The Evil in Pemberley House is no exception to this rule. It is a very good book and a compelling read. I think that it easily stands alongside such works as The Adventure of the Peerless Peer, Greatheart Silver, The Other Log of Phileas Fogg as well as his erotic classic A Feast Unknown.” (From the Den)
Early reader reaction to this Wold Newton concoction is, as you can see, quite positive–the tale wrapped inside Glenn Orbik’s utterly perfect dust jacket.